Spring Breakers (2013): I mean, I don't know. Lots of great T&A but does that make it good? Yes, it does. But it doesn't make it a good movie. I'm not sure if was supposed to be real or some sort of fable. I don't care either. A whole lot of skin, drugs and violence. Hearing Franco's "Spraaaang breeeeak y'all" over and over and over was just too much when coupled with the ridiculous last 20 minutes.
The Place Beyond the Pines (2013): I only knew one main thing about this movie before I saw it: people were giving it anywhere from 1.5-4 stars and everywhere in between. Also, it was being called a bit long. So I really tried to go in with a blank slate of opinion. I think I liked this one waaay more than most people I know who have seen it (4) and the only thing I could think of when I was walking out was that it combined elements of Crash (which I don't like) and LA Confidential (which I love) with a little Drive (which I liked a lot)... You have 3 major story lines that each take up about 1/3 of the film and each are connected, and though the last 1/3 does feel a little bit drawn out I actually enjoyed it because it brought everything together so well.
Trance (2013): A Danny Boyle film. Who knows what you'll get? Well, you get some hot ass Rosario Dawson so that made it...better? I have no concept of what other people think of James McAvoy, but he annoys me. I don't particularly like his delivery or his voice or his look, so it's hard for me to get past that, but I did enjoy the first half of the movie enough. A little too much voice over for me, but that's the way it is. It jumps over some plot points way way too quickly way way too early so that I was shaking my head (I mean, Rosario's character joining their group soooo soon with almost no explanation?) - the film turns into a deeply contorted mess where the only way out for the director is to turn it into a final act that has to blatantly explain everything to you, because face it, no way you're gonna know what the fuck is happening in all the rapid fire, color coded quick shots which serve only the purpose of disorienting you with the hope that you'll forget that the movie isn't all that good.